The royal hair in Bridgerton doesn’t just sit pretty—it steals scenes. Picture Golda Rosheuvel gliding into a ballroom and the room stilling as her crown of curls arrives a beat ahead. The vibe is opulent, playful, a little dangerous—like fashion week wandered into the Regency era and refused to leave.
Enter hair and makeup designer Erika Ökvist, who mixes Georgian grandeur with Met Gala audacity. She and her team build statement pieces like mini sculptures—synthetic fibers shaped over metal cages, sometimes layering two or three wigs to make one towering silhouette.
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