Fourteen drafts.
That is the number Mark Gatiss has referenced when discussing the development of the opening scene of — the scene that would introduce Watson, establish his state at the beginning of the story, and set the emotional terms for everything that follows.
He has not described what the first thirteen versions contained. He has described what they all failed to do: they introduced Watson as a character. They gave his history, established his circumstances, positioned him in relation to the story about to unfold.
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