The scene in question was not scheduled for improvisation.
The script was set. The blocking was established. The technical requirements — camera positions, lighting setup, sound considerations — had been worked out in advance, as they always are, because professional television production does not leave room for the kind of open experimentation that produces improvisation in a rehearsal context.
What happened was smaller than improvisation and more significant.
Between takes, Cumberbatch and Freeman fell into a conversation — in character, without announcement, picking up threads from the scripted scene and following them past the edges of what was written.
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