The emotional vocabulary of Sherlock Holmes has precise and documented limits.
He can say: you have a tan line consistent with recent time spent at a specific latitude. He can say: the mud on your left shoe indicates you came from the eastern side of the park. He can say, with complete confidence and no apparent awareness of how it lands: you are not as stupid as you initially appear.
He cannot say: you matter to me.
Not because the feeling is absent — the show establishes, carefully and across four series, that the feeling is present, that it has been growing, that it has changed the architecture of who Holmes is in measurable ways.
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